Monos (2019)
Since the dawn of humanity, people have been debating what it is that separates us from the rest of the animal kingdom. While there are the few scientific obvious responses, such as intelligence or opposable thumbs, a deeper examination into the psyche of the average man would provide a more cynical answer: nothing.
Monos, like many of its influences, examine the human condition (specifically that of children) when put into extreme circumstances, which in this case are seclusion and a lack of protection from the elements. Much like Lord of the Flies, our characters descend into chaos the more danger is forced upon their lives, even if it is self-inflicted.
This film feels like a nightmare in the best of ways. The purpose of these children forming a militia on top of a mountain while guarding a hostage is so incredibly vague, that it feels dream-like and terrifying. The lives they have created for themselves are so bare and empty that it is strange that they are so accustomed to it. All of this is perfectly captured in the incredible cinematography by Jasper Wolf.
Filled with brilliant performances from everyone in the cast and guided by beautiful and surreal cinematography, Monos captivates from the very first frame and pulls you in until it cuts to black, with the soundtrack further immersing you into the events unfolding before you. The ensemble of young actors command the screen with their own individuality that allows each character to shine in their own way.
Monos, if nothing else, is a spectacle to be seen. It is such a solid technical achievement that without its compelling story, watching it would still be enjoyable. But in my mind, it thrives in its dissolution of the tribes of sanity and humanity. It is an excellent examination the old adage “absolute power corrupts absolutely”, begs us to ask ourselves what form that corruption would take.
My RatingL A-